The Reunion
Caliban's Revenge •Artwork by Caliban’s Revenge.
Artwork by Caliban’s Revenge.
BLM UK’s approach to electoral politics, anti-racist and anti-racist organising and the struggle for a free Palestine
New immigration proposals and attacks on migrants are an attack on all the working class
This new book provides an in depth of the working of the global care economy
E-democracy undermines the participatory and meaningful forms we need in Your Party.
Labour’s proposal to end most jury trials is a reactionary step that must be fought
We conducted this interview with former HMP Barlinnie inmate Calum
The Imperial War Museum’s ‘Emergency Exits’ explores Britain’s violent retreat from empire and the brutality of colonial rule
What the loss of night clubs mean, for community, for queer freedom and for the right to collective joy
Colin Revolting reviews I Swear, a film about the life of Tourette syndrome campaigner John Davidson
2 comments
I was very struck by this extraordinary piece for the way it furthers the narrative of Colston’s toppling as he must come face-to-face with his crimes. I think moving forward such a thing needs to be applied to other slaver statues. While I understand the urge to destroy them or place them in museums, in the long term this maybe a bad thing. These evil men when celebrated were made visible publicly, why should their shame be different? While I support the National Slavery Memorial, I wonder that it may erase an important question of the slave trade- why it happened. The why is clear when you see men like Colston in their fancy wears- it was for financial enrichment. My idea of how to capture the why of and cost of slavery would be to have a monument that brings the beneficiaries and victims of slavery together face-to-face like you’ve done here, perhaps in a way where the moral superiority of the victims is made clear by having them encircle the slavers or have them looking down on them in a heap on the floor. Happy to chat further if you want to contact me!
I believe the intention for the Colston statue is to display it in a museum “as is” with the graffiti and ropes left on, surrounded by Black Lives Matter placards saved from the demonstration. A copy of this image would be a good addition to such a display.