A View from the Bridge : A modern classic stripped to its tragic roots
Jack Farmer reviews a new production of Arthur Miller’s play, currently running at the Young Vic Director Ivo van Hove’s production of A View from the Bridge strips away all distractions, distilling Arthur Miller’s classic tragedy down to it’s hard and bitter essence. With no set, no props and no interval, the emotional punch of the play […]
Review: Comics unmasked
Adam DC reviews a new exhibition at the British Library, Comics Unmasked, which illustrates how in a period of austerity and social degeneration, the politics of the comic is moving leftwards again. Politics is an ever present theme from the very start of the British Library’s new exhibition, with the the ‘V’ (for Vendetta) […]
Behind the screens: an interview with two Curzon cinema workers
Ritzy workers in south London recently went on strike for the Living Wage, but they are by no means unique. Rs21 member, Estelle Cooch, caught up with two workers from Curzon cinemas and asked them to explain why everything is kicking off in the cinema industry. How did you get from an informal network of organising to […]
‘I wouldn’t mind turning into a vermillion goldfish’ – Matisse’s cut-outs reviewed
The latest exhibition at the Tate Modern is of the cut-outs created by Henri Matisse in his later years. Mitch Mitchell shares his thoughts.
Gabriel García Márquez: magic and memory
Mike Gonzalez writes Gabriel GarcÃa Márquez, who has died aged 87, was a globally recognised name even before he won his Nobel Prize in literature on 8 December 1982. His greatest work One Hundred Years of Solitude was translated into 20 languages within a couple of years of its 1967 publication. His journalism, stories and novels captivated an international audience. Yet […]
Film review: Starred Up
What gives the prison film its tension is a dynamic between trapped, animalistic energy and the dream of liberty.
Short Story: Fresh Apricots
Fresh Apricots’ first appeared in Dancing in Damascus, a book of short stories that was also published in Arabic and Turkish. It’s about surveillance and the political prisons in Syria under Hafiz al Assad.